We got an email on Thursday, saying that we'd get a second email telling us when to show up. The second email, sent midnight Thursday, told us to get to the hotel by 9:30 the next day. Naturally, we didn't get this email until 8 the next day, asking us to show up at the "Beijing Hotel, floor 18 conference room", and to wear "casual clothing- sneakers and t-shirts.".
The first problem, as you might imagine, is that there is more than one Beijing Hotel in Beijing. We emailed them back, and we got an address- "33 Chang Avenue". Cross-Googling them, we divined that there was, in fact, a Beijing Hotel at "33 Xiang An Avenue". Close enough- we ran down to the subway, hopped on a rush-hour train and found the place. Of course, when we arrived at the hotel, we got into the elevator only to discover there was no button for the 18th floor. So we went to the front desk.
"We're looking for the movie set. We were told it was on the 18th floor."
"I'm sorry, we don't have an 18th floor."
"We were told to go to the conference room on the 18th floor. We're actors for the Brad Anderson film. Is it on another floor?"
"The conference room on the 18th floor is very forbidden."
A-ha.
"We are actors, who were told to go there. Is there a way to get to the 18th floor?"
"I will have to call the director of conferences."
Ellen gets the phone.
"Yes, we're actors. We are supposed to go to the conference room on the 18th Floor. We are actors on the film. We are actors. Yes."
"Go to the 17th floor. There are stairs."
Thank God. We get back in the elevator, go up, climb a set of stairs, consult with a pair of Chinese conference-stooges who also try to turn us away at first. Finally, we find the film set, in an enormous dining room. A man in an immaculately wrinkled linen suit, hand-whittled owl glasses and a massive Beethoven haircut comes over to us. He's the costumer.
"So, what have you brought?"
"What do you mean?"
"Where are your winter clothes?"
So Ellen sprints back to our place.
By the time Ellen gets back, the place is flooded with regular extras, three dozen or so 外国人, and a sprinkling of Chinese people, as well. I sat between a Sichuanese lady named Stella, and a Venezuelan woman named Estella. Estella was a white-haired woman in her 60's and said she was an English teacher, which I found depressingly plausible, because of her near-pathological shyness and imperfect mastery of English. Stella was a businesswoman who lived in Australia full time, and had gotten into the movie for a kick.
We're finally summoned from the side lounge into the dining room. It was an afternoon of toasting, and pretending to eat the withered food prepared by the props department. I had a nibble of hot-dog, two squares of fingerprint-laden chocolate, two boiled peanuts, and three slices of dried banana on the plate.
Brad Anderson seemed nice, but his affect was almost completely flat, not what I normally associate with a film director. Everyone was fried- the production had been going for 10 weeks, with the majority of shooting happening in Lithuania in freezing weather. Woody Harrelson, a nice-seeming female celebrity who I can't identify off the top of my head (Emily Mortimer), and another character actor who was pulled in at the last minute, who I also can't identify.
The whole production crew was Spanish. We sat next to the Assistant director and a guy who I assume was assistant-assistant producer, who gave us an especially hard time about being American in perfect, unaccented English. ("Celsius just makes sense! We PROTESTED after our 9/11! The Spanish got through killing people in our colonies 100 years ago!) Infuriatingly, he seemed to speak pretty good Chinese as well. Basically a good guy. We were seated, very considerately, right behind Woody, so that we would (most likely) show up in the scene. I wasn't able, however, to get a shot of the famous guys.
We toyed with our food, made inane conversation, and shouted "Amen!" at certain moments.
I induced a possible continuity error by rolling up my sleeves- film nerds take note.
